Beautiful sound … absolutely wonderful
— Cerys Matthews, BBC 6Music (Unnamed Unseen)
Ellie creates a rich, ancient & rootsy sound, that’s also completely new at the same time
— Elizabeth Alker, BBC Radio 3 (Sanctuary - Scars)
Ellie Wilson composes the score, with haunting solo vocals and an impressive set of themes that make it this season’s most memorable.
— Fringe Review (Shakespeare’s Globe Richard III)
Transfixing … an enlightening sonic assemblage!
— Presto Music (Memory Islands)
A really haunting piece ... there’s a real sense of place
— Sean Rafferty, BBC Radio 3 (Halyard)
The music lends an uncanny atmosphere throughout, especially from the saw and violin (both played by Ellie Wilson)
— Broadway World ★★★★
Ellie Wilson’s work braids together so many musical worlds
— Tom Service, BBC Radio 3
In a very short time she creates a wonderful arch and line of sound. Saving a little surprise towards the end - a beautifully poised and composed work
— Errollyn Wallen, BBC Radio 3 (Halyard)
Brilliant ... A rich audio tapestry of folk and drones
— Luke Turner, The Quietus (Echoes, Unearthing Stories...)
The music melts seamlessly into the drama
— Guardian ★★★ (Shakespeare's Globe Henry VI)
a performance that was as immersive as it was innovative ..
creating dynamic soundscapes that felt contemporary yet timeless ... a poignant blend of memory and music
— Live - Bright Young Sounds, Counter Chamber, Folklore
Immersive, reflective and playful ... Ellie Wilson is an explorer ... a violinist comfortable discovering new and alternative paths in her music. ... Mesmerising
— Songlines Magazine ★★★★ (Memory Islands)
One of ‘the weekend’s best moments. Mix[ing] humility and adventure
— Wire Magazine (Live - Eavesdropping Festival, Café Oto)
Exquisite beauty offered by Ellie Wilson’s controlled violin
— Mojo Magazine
A seven-part suite of studies on memory. Extremely evocative … if you enjoy music where folk and electronic intersect, then this is definitely for you.
— Arcanafm (Memory Islands)
The music is strong and Ellie Wilson’s use of the saw lends a great deal of tension to the play’s darker moments.
— Whats On Stage ★★★ (Shakespeare’s Globe Henry VI)